Dapur basah dengan konsep raw industri jadi pilihan. Pasti ramai yang masih menyukai dengan konsep industri ini. Konsep ini seakan gaya yang tidak siap, tetapi ia memberi satu elemen seni dalam elemen dekor pengemar konsep industri ini.
Gaya perindustrian minimalis dan kasar dalam rekabentuk dalaman menjadi semakin relevan untuk kediaman dan juga premis perniagaan. Pembuatan dan fungsi telah mengambil kedudukan dominan dalam seni bina. Gaya industri dalaman mungkin yang paling jujur. Tunjukkan semua yang tersembunyi adalah elemen utama gaya ini.
IMPIANA tertarik dengan pemilik akaun Facebook Zuryat Abadi yang berkongsi kisah sebalik pembikinan dapur basah yang dihasilkannya dalam konsep industrial. Mari ikuti perkongsian dari pemilik ini.
Mula buat awal PKP hari tu. Semalam siap. Haaaaaa. Senang hati.
Mana yang minat. Minatlah. Konsepnya kasar. Berterabur. Tapi menarik. Warna asli simen,besi,bata. Tambah aksesori yang rencam. Warna pon ikut suka. Tetap nampak menawan. Kos. Keras juga la sebab orang tu beli sinki dan water tap saja 1k lebih. Lain2 barang banyak beli kat Ikea sebelum PKP.Kalau rajin buat sendiri. Pasti jadi. Asah bakat dan akal. Selebihnya kena ada alatan sesuai terutama mesin pengimpal. Saya pon x pandai mengimpal. X pernah mengimpal. Selalu pekerja saya yang buat kerja mengimpal. Tapi dengan MIG. Insha Allah boleh. Belajar dari google,youtube,group TAHi. Selebihnya ialah daya kreativiti dan kemahiran yang sedia ada.
Dapur ni dapur tambahan. Sebab dapur utama tu x selesa nak guna. Banyak yang x kena. Ialah. Tukang sebelum ni x dapat realisasikan kehendak orang tu . Sedikit perkongsian bersama. Akhirnya.Ruang kecil sahaja. Keluasan cuma lebih kurang 10’x8′. Mudah kata orang dapur. Duduk membawang kat counter bar. Pusing belakang capai sudip,water tap. Kalau ruang sedikit lebih besar boleh masukkan oven sekali kat ruangan ni.
Kosnya? Untuk bahan dan aksesori sahaja 7.5k. Agak mahal untuk berDIY. Ialah. Beli bahan dan aksesori mahal.
Masa membinanya hampir 20 hari berseorangan. Termasuk hari cuti mata bengkak dan kulit melepuh dek bahana MIG.
So please use proper equipment and tool. Jangan degil.Mesin ABC manual dan lampu pump x dapat letak lagi sebab PKP xleh rentas daerah balik kampung nak ambik.
Ada orang tu sampai pukul 2am still kat dapur. Punyalah feeling.
Layannnnnnn.
Banyak juga cabarannya tetapi hasil dapur basah ini cukup memukau.
Kredit: Zuryat Abadi
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Dapur Konsep Modern Farmhouse, Hadiah Hari Jadi Ke 51
Dapur konsep modern farmhouse, hadiah hari jadi ke 51. Saat paling menggembirakan buat Ainorwati Hussain ialah apabila suami tercinta menghadiahkan dapur impiannya yang berkonsepkan modern farmhouse.
Cetusan idea untuk dapur yang menjadi impian Ainorwati ini direalisasikan oleh Interior Design (ID) dari Skuad Dekorasi. Percambahan kreativiti antara pemilik kediaman dengan pihak ID menjadikan dapur berkonsepkan modern farmhouse yang diimpikan oleh Ainorwati menjadi kenyataan.
Pemilik kediaman mula berpindah pada 2019. Dengan keluasan tanah (land area) 40 X 80 serta luas kediaman 30 X 70 (build up), rumah berkembar dua tingkat ini cukup selesa. Kawasan kejiranan yang serba harmoni ini menjanjikan persekitara yang menyenangkan.
Ketika mula-mula berpindah, pemilik kediaman tidak melakukan sebarang renovasi untuk ruang dapur yang keluasannya agak terhad. Hanya pada tahun 2023, pemilik kediaman mengambil keputusan untuk melakukan renovasi serta ‘extend’ ruang dapur supaya lebih luas dan selesa.
Alang-alang hendak buat dan ‘extend’ dapur baru, inilah masanya untuk merealisasikan dapur impian Ainorwati yang selama ini menjadi igauan. Mengambil masa lebih kurang tiga bulan, dapur impian Ainorwati menjadi kenyataan.
Menurut Norbaya Ismail dari Skuad Dekorasi, tiada yang lebih menggembirakan beliau dan Skuad Dekorasi selain dapat melihat senyuman yang terpamer pada wajah klien. Dapur berkonsepkan modern farmhouse seperti yang diinginkan oleh klien berjaya diterjemahkan dengan hasil yang padu.
Ciri-ciri cozy, contemporary, clean, simple, rustic selain keselesaan merupakan antara ‘mood’ dapur berkonsepkan modern farmhouse. White, off white dan white grey dan beige merupakan warna asas untuk dapur bertemakan farmhouse.
“Untuk dapur Ainorwati, beliau memilih rona ‘baby blue’ untuk dapur idamannya memandangkan warna tersebut merupakan warna kegemarannya. Warna ini menaikkan seri konsep dapur yang berkonsepkan modern farmhouse.
“Material yang digunakan pula ialah daripada solid wood with shaker cabinet. Sliding band door antara elemen yang wajib ada bagi mendapatkan farmhouse ‘look.’ Ia juga berfungsi untuk menjimatkan ruang dan senang digunakan. Sliding barn door juga sangat sesuai untuk pintu pantry dan juga ruang laundry,” terang Norbaya.
Berikut dikongsikan info-info lain berkaitan dengan dapur berkonsepkan modern farmhouse milik Ainorwati:
*Warna ‘baby blue’ menjadi latar utama. Pintu kabinet dan juga semua aksesori dapur antaranya bekas pisau menggunakan warna-warna ini. Peti sejuk juga warna sama.
*Shiplap wall yang berbentuk vertical dan siling (warna putih) merupakan trend dekorasi dan elemen yang perlu ada untuk dapur modern farmhouse. Shiplap wall yang berbentuk vertical memberikan ruang yang lebih luas.
*Open shelving (rak terbuka)merupakan ciri-ciri yang perlu ada untuk dapur modern farmhouse. Selalunya open shelving menggunakan tekstur kayu seperti kayu oak, maple dan cherry bagi mendapatkan kesempurnaan dapur farmhouse.
*Kebiasannya kayu digunakan untuk lantai dapur modern farmhouse yang disusun secara herringbone pattern. Untuk dapur Ainorwati, pihak Skuad Dekorasi menggunakan tiles dengan ‘effect’ kayu untuk ketahanan yang lebih lasak dan ketahanan untuk jangka masa panjang.
*Tiles backsplash disusun secara herringbone pattern bagi memberikan modern vibe untuk dapur modern farmhouse.
*Farmhouse sink pula wajib ada bagi menampilkan ‘look’ sebenar dapur modern farmhouse.
*Quartz stone digunakan sebagai kemasan untuk table top furnishing.
*Dapur terkini milik Ainorwati pula berfungsi sebagai 2 dalam 1 iaitu sebagai dapur kering dan juga dapur basah.
*Hidden cat tunnel (laluan masuk dari pondok kucing-kucing yang dimiliki oleh pemilik kediaman)
*Kos untuk keseluruhan membina dapur modern farmhouse ini ialah lebih kurang RM100,000 memandangkan ada penambahan ‘kerja’ yang tidak dirancang. (Pendek kata kos bergantung kepada keluasan, design, job skop dan material yang digunakan)
Bagi Airnorwati, berbanding dapur terdahulu yang keluasannya agak terhad, dapur terkininya bukan sahaja luas tetapi juga sangatlah selesa.
“Memang dapur modern farmhouse impian saya. Alhamdulillah syukur kerana dapur impian saya menjadi kenyataan. Saya berpuas hati dengan hasil kerja yang ditampilkan oleh Skuad Dekorasi,” jelas Ainorwati gembira.
Jomlah kita tengok dapur Ainorwati. Sangatlah ‘awesome.’ Ini adalah antara wishlist Ainorwati sebagai ‘reward’ untuk dirinya.
Pemegang kabinet dapur menggunakan material zink alloy.
Berikut video penuh dapur yang berkonsepkan modern farmhouse milik Ainorwati Hussain. IMPIANA telah berpeluang berkunjung ke kediaman beliau yang terletak di U12, Shah Alam.
Kredit foto: Unit foto/video Ideaktiv
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Berjaga Untuk Sebarang Kemungkinan. 10 Tip Ini Harus Dipraktikkan Untuk Mengelak Kebakaran Rumah
4. Simpan mancis/pemetik api di tempat selamat
Anda perlu menyimpan mancis dan pemetik api dari anak-anak kecil anda. Sebagai ibu bapa anda harus awasi dan didik mereka akan bahayanya bermain dengan api.
5. Luangkan masa untuk hadir ceramah/latihan mencegah kebakaran
Tahukan anda ilmu tentang mencegah kebakaran ini amat penting dalam kehidupan harian anda. Ia mampu melatih anda supaya tidak cemas dan tahu untuk bertindak sekiranya berlaku kebakaran.
6. Gunakan alatan elektrik yang mempunyai pelekat SIRIM
7. Pasang alat pengesan asap
8. Sediakan pamadam api
9. Periksa salur LPG gas
10. Dapatkan bantuan daripada yang pakar
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Kediaman Tropikal Dengan Pencahayaan Semulajadi
How long did the project take, from conceptualisation, to completion?
We were approached by the client in early 2016. The conceptualisation of the design started soon after and after a few rounds of presentations we finalised the overall form and design in mid-2016. We oversaw all submissions and approval processes and the building was approved for construction by the end of 2016. Construction commenced in March 2017 and took 15 months to complete.
In addition to the architectural design and in line with our goals of combining architecture, interior and furniture design to produce a total design product, TA.LE ARCHITECTS also conducted the interior design of the home. This was run on a separate timeline and we finalised the design in mid-2017. The interior designs were tailored to respond to specific usage patterns of the owners and the design touched on the finer details, hence it was important to work with the clients to get the requirements right. Interior design also meant looking into the selection of materials and finishes and proposing the right bespoke details for all the carpentry works, therefore it required a longer time to perfect the design.
The entire house including the interior fitting out works were fully completed by August 2018 for the move in.
What were some of your design inspirations for this project?
When designing this house there were a few considerations. Comfort was a major priority and to achieve this we looked towards the traditional wisdom of tropical architecture. We understood the natural orientation of the house and positioned it so that the Western sun was screened – reducing ambient temperatures – while maximising natural light into the building. In order to combat the heat that comes with sunlight we developed architectural responses including deep roof eaves and generous overhangs.
The home’s character is also illustrated through the design in the form of angular silhouettes such as the serrated ceiling panels at the Dining room. We softened the lines by employing a light-coloured material palette that included oak timber and soft, diffused lighting (carefully concealed around the ceiling).
What kind of materials did you use in the project?
The exterior of the house is finished in aluminium cladding to ensure durability, and the timber appearance on the southern elevation of the house is achieved by adhering timber-lookalike film over the aluminium cladding. The advantage of this is that the house will consistently look pristine and not age and discolour readily, as compared to using real timber for its exterior.
Within the interior spaces, natural materials area used. For the family spaces wrapping around the central decorative screens, we used a beautiful black marble with gold veins called Portoro Gold. By using the same stone finish on the staircase, counter tops and carpentry works, the overall design achieves a consistent look and the client is quite pleased on that final product.
How did you allow for natural light to be maximised in the home?
Natural light is one of the most important criteria of comfortable living. Yet in the tropics, natural light often comes with unbearable heat coming into the interior. TA.LE ARCHITECTS overcame this using a number of design techniques. We created a house that takes on the silhouette of a typical house in the Tropics, with the unmistakable pitch roof view from the exterior. The large overhang on the exterior provides excellent shades for shielding the sun, thus allowing extensive use of glass that let in natural light which lit up the interior.
The highlight of the house is placed in the centre – a double volume loft where the social gathering is designed to take place (the dining space). Visual connectivity is extended from the ground floor to the 2nd floor and beyond, through a feature metal screen that integrates the staircase. With the full height glazing at the façade, natural light is brought into the space to give it an uplifting feeling.
The introduction of a continuous skylight strip along the partywall allows sunlight to penetrate into the deepest corners of the house, naturally brightening the space which would otherwise be lit artificially – turning the weakness of a semi-detached house into its strength.
The skylight, another feature that brings in natural lighting, is carefully designed with a sandblasted finish to diffuse the sunlight passing through into the interior. This strategy allows diffuse lighting which is more suitable for interior use, and at the same time cuts down the amount of heat coming into the interior.
Please tell us more about the client. How were they, how many of them, what stage of life.
The clients are a Singaporean couple in their 60’s that had spent many years overseas and were preparing to return. So, they approached us to design and build their dream retirement home. The client also had children and so required an additional two bedrooms, and the wife has a deep interest in Chinese calligraphy and painting and so we also created a calligraphy room.
What did they ask for from you? And how did you seek to match their requests through your design?
We had to strike a careful balance in terms of design in order to satisfy the client requests. They wanted a home that responded well to the tropical climate, in that it maximised the use of natural light and ventilation without getting too hot (or wet, with the hard, tropical downpours). At the same time, they also wanted a home that was contemporary. Furthermore, they value their privacy, yet also wanted views of the outside world and the natural surroundings.
We created a ribbon window treatment around the perimeter along the 1st storey façade. Positioned at eye level (around 2.7m high), the ribbon wraps the entire exterior perimeter of the house, providing natural lighting into the common areas but does not compromise the privacy of the occupants. The
upper stories are geometrically simpler and from the outside appear to be floating in the air due to the ribbon treatment below the cladding.
The result is a home that seems to be floating atop the lower windows, creating the impression of light and lightness.
Tell me more about TA.LE ARCHITECTS’ design philosophy?
TA.LE ARCHITECTS is an award-winning Singaporean architecture firm established with the aim of combining architecture, interior and furniture design to produce a total design product. TA.LE ARCHITECTS’ design approach combines the requirements of the client with intellectual rigour and sensual intuition, coupled with sensitivity for wider social and contextual issues. We treat each project as a unique design statement, orchestrated specially for the people who use it. Discovering unexpected solutions for the specifics of programme and context is the foremost goal in all of their assignments. We aim to create memorable buildings and spaces with a human touch.
Have you completed any projects – commercial or residential – in Malaysia?
We have recently completed the SuperPark Malaysia outlet in Kuala Lumpur. SuperPark is an activity centre from Finland that is purpose built for people of all ages. This “hybrid” park is designed to cater to everyone – toddlers, tweens, teenagers and adults – and so had its own unique design features that we worked on.
The park is highly interactive and futuristic. There is the iWall (interactive parkour game), Flying Fox (indoor zipline), Tube Slide, Kid’s Gym, Kid’s Adventure City and Pedal Car Track. For younger kids there is baseball or street basketball, and they can even compete with the RoboKeeper, an AI goalkeeper. We are also able to measure performance by radar and other digital systems.
Another hall within the SuperPark offers a tailor-made fun climbing concept called SuperClimb, a Ninja Track, Skate and Scoot World, Trampoline Platform, Augmented Climbing Wall and Skate Rink. There is also a 232m2 ice skating rink made from 100% recyclable and non-toxic synthetic ice.
The SuperPark is unique in that it is specifically designed to cater to both adults and kids, we also had to create a combination of both light and more extreme sports activities. So TA.LE ARCHITECTS needed to take into account different sizes and weights of the users as well as ensure all health and safety requirements were met.
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